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Italien 2006

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Italien 2006 -

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What is important is to share the knowledge we have with those who seek it, and to enjoy doing so. It is not about hurting your training partners.

Only Maestro is allowed to do that. Because sometimes you have to feel it to know it works. And, only a master knows how much force to apply and when to apply it.

It is about hurting your opponent so that he does not hurt you. Or, in the case of Ninjitsu, prevailing without throwing a punch.

So that no one is injured. It is abut conflict resolution and self-defense. Not about imposing your will on the enemy.

Even if he chose to make himself one. It is about enjoying working and training together and taking pride in ourselves and what we, as human beings, can do, because it is considerable.

And, everyone is capable of that. What we do is show a variety of exercises from which to choose, so that you may do them and learn the transcendental lessons of martial arts.

These cannot be explained in mere words. That is why they are transcendental. They are not a philosophy, and yet everyone who finds them is changed forever for the better.

Not everyone has to walk the same path. Between the savage and terrifying techniques of the Hung Gar Kung Fu Iron Palm and the Aiki-Jutsu master who playfully leads his opponent around by the pain in his wrist and subdues with a series of bone breaking, twisting and locking arm, leg, and neck bars, there is no imbalance, there is only harmony.

Between the Dim Mak master and the Chinese Physician who heals with a touch, there is only balance. We worked on wristlocks initially. This is because when infiltrating or escaping from the enemy camp, there is always the chance that you will be confronted and have to fight your way free.

The modern application is self-defense. Knowing Tonpo allows them to break free and escape. We added a few modifications like an Elbow Strike over your shoulder to his head to distract him.

We moved onto Counters and Mirror techniques. I demonstrated how the same technique could be applied to either wrist to achieve a different controlling armlock.

To practice the Entering Pivot have the opponent stand facing you and take a hold on your right wrist with his left hand.

Swing your captured wrist inward between you and as he resists your attempt to escape, take advantage of his reaction to reverse direction and swing your arm up and outward while seizing his left wrist with your left hand.

Step under his upraised arm and behind him. Then pull down on his wrist to lock his arm in a straight arm bar standing beside him.

You have turned clockwise. Now have him stand facing and take hold of your right wrist with his right hand.

Perform exactly the same movement and you will twist his wrist upward and back over his shoulder into a Top Wristlock, from which you can control him or take him down.

You now have two applications of one technique, the Entering Pivot. The Counter to this technique is for the opponent to grab your shoulder as you try to step under his upraised arm and bend his arm down to choke you.

That is why it is important to strike him with your elbow as you step in, to distract him. The Mirror Method is the most non-violent of all.

The effect is that the two Entering Pivots cancel each other out and the players return to their original positions. After a practice period we had a short break and photo session before dismissing.

Maestro Adriano and Allesandro were also stopping at Hotel Giannino, so we returned there for lunch. Another spectacular meal, served impeccably by our jovial host, His white coat and cravat drifting all about the room serving up his delicacies or refilling the wine glasses of his guests.

In a different part of the dining room this afternoon I was struck by the elegant decorations. The walls were adorned with copper pots used long ago by such fine chefs.

The far wall was covered with pictures of prize winning hunting dogs. The foyer with awards and pictures of the staff with famous guests.

The workmanship of the tables and chairs, the details of the silverware, the heavy cloth napkins, the buzz of conversation in the room, all contributed to the ambience of warmth and hospitality.

If there was a stranger in the room you would never know it. Everyone is treated so warmly and served with such graciousness.

We returned to the Dojo where Maestro Mario announced to the assembly that his Accademia delle Arti da Combattimento had that day received from the Italian government its official Olympic sanction and with it the right to display and wear the national colors.

Congratulations and applause all around for this singular honor and distinction. A well deserved recognition of outstanding skill and ability.

We began the session after lunch with meditation. We went through the symbolic meaning of the meditation ritual. The left hand being Yin, the void circular, feminine energy.

The right hand representing Yang, the linear masculine force. And Tao, the union of these two forces to create meaning and beauty, striving always for balance.

And the Kuji Kiri finger-knitting positions that raise the life force from the lower energy centers to the higher so it can be circulated for good health and vitality.

These breathing exercises allowed time for proper digestion of the afternoon meal. After that we practiced the Forbidden Form, an aggressive kata formal exercise drill that represents the Fire Element among the Nine Fists of the Ninja.

Later that afternoon I was officially initiated into Accademia delle Arti da Combattimento. I was presented with the ceremonial symbols of these devices as a sign of my acceptance into this elite fraternity, as I was welcomed by the other masters of the Academy.

Dinner that evening was at a local Pizzaria. Maestro knew the owner who welcomed our party of twelve up the stairs to his veranda with open arms.

There was a discussion of which toppings to would be enjoyed and the thin crust pizza a la Napoli was soon covering the large table around which we sat.

Maestro took the middle of the table, facing the portico. I was given a seat at one end so we all could talk and see each other. So, there is no point.

Besides if you win today. Perhaps tomorrow I will win. So, even if you win today, it means nothing. Also, even if I win, and I am sure I can because I cheat and even youth and ability cannot overcome age and treachery, even so, I may be injured.

How shall I pay for this if there is no prize? Then there is the matter of lethality. When you are in the ring you must WANT to hurt the opponent.

I just want to do my exercise. So, by making it impossible for anyone to meet the requirements, I avoid having to teach harsh lessons for free.

Besides, I have no money to travel or meet all these challengers, and most of them never show up anyway. If the prize has no value, then the battle is just a test of strength.

I have no need to test my strength. I have found it sufficient many times. No need to go looking for trouble. Cesare would not fight for free because he is a trained professional athlete.

So too, in my own way, am I. Besides, Karma will take care of them eventually. Like if someone put the publishers who stole your money out of business?

It is about getting better. All you can take are your memories. All the other customers went home. All the staff went home except the owner.

When we arrived, Giovanni from Bologna had come in on the train and was glad to see us. He was one of the designated interpreters, having just graduated university.

Beginning again with meditation to divorce ourselves of the world outside the training hall, calm the mind and heal the body, I made a short talk about how these elements were also related to aspects of combat.

Standing, I demonstrated how Ninja techniques were divided into five directions, each one represented by an element, each of which placed the Ninja in a strategic position to overcome the opponent and unbalance him so you can flee to safety.

Remember, Ninjitsu is not about fighting, it is about invisibility. That is why it is the ONLY non-violent martial art known to man.

His reaction determines whether you duck out of sight or counter-attack. During the practice of these methods Maestro Mario asked if we would like some music.

We agreed and enjoyed the background of traditional Chinese songs as we trained. Circling left, I called a stop, pivot on the balls of both feet to reverse direction while executing a Mirror Block and stepping off in time an equal number of revolutions in the opposite direction.

After a few times practicing this forward pivot until it could be executed smoothly by everyone, I called a halt when the opposite foot was in front and we practiced the Back Pivot for a while.

Just as the first two compliment each other as forward and back. The second pair are examples of long and short fist techniques long range and close range.

Simple basic drills to music to develop rhythm and timing, dancing the Eight Mystic Trigrams. We had a short break and Maestro Mario finished up the session with a presentation of rifle, gun and knife defenses.

The comparison of military methods and martial art methods was illuminating and provided considerable insight into the differing underlying principles of each application.

Maestro also pointed out that many commercial martial arts techniques that involve grabbing the barrel of weapon, basically using spear defense techniques to disarm the soldier, neglect to take into account that, if captured on the battlefield, the barrel of a rifle might well be hot enough to burn your hand and spoil your technique.

A shift of an inch may save your life, whether you deflect the weapon or simply make sure it does not injure you as you execute close in-fighting techniques with devastating effect to stun the enemy immediately so he can be finished off, the first principle is Target Denial, a classic principle of Ninjitsu.

And utterly ruthless efficiency, a classic military principle. The table was long and medieval in design. With high backed chairs and solid legs.

We ate well again and had a nice bottle of Brunella. One of the few Italian wines served at fine French restaurants, it was very famous. Most of the conversation between Maestro and Didier was in Italian and not really my concern.

The same one found in the meditation practice we had been doing all day. By touching the index fingertip and thumb to form a small ring, the ancient Ninja found it is possible to develop almost telepathic abilities.

By observing the body language, eye contact and other subtle cues, one can often discern the tone and nature of a nearby conversation, even one out of earshot.

Within a moment I caught several words I knew and concluded they were talking about the promotion and sponsorship of professional Muay Thai Kickboxing Matches in Italy.

Shortly one of the interpreters quietly explained that indeed this was the subject of their discussion. This same technique is illustrated in The 13th Warrior with Antonio Banderas, where he, an Arab, learns to speak the Viking language by watching and listening and practice.

I had spoken with Didier Laborgne earlier and agreed that it was best if one could speak the language when doing these seminars to make sure the points and instruction were clear.

He had found it necessary to learn Italian because of the sheer number of events he had been invited to attend. He was extremely fluent in both Italian and English.

They began with Muay Thai calisthenics and worked through the Knee-to-Elbow defensive stance, strikes, shin kicks to the thigh and calf, covering up, in-fighting, elbow and knee strikes.

It was late when we finished. Being Saturday night, the clubs and pubs were full of party goers. Traffic was a bit slower for the darkness, but still hectic.

It was a good night. We arrived at the Dojo and prepared for the formal Tai Kai instruction. The instructors stood facing North toward the students.

The formal bows of greeting were exchanged between teachers and students, between teachers and to the spirit of the Dojo, represented by the soft fragrance of sandalwood incense from the altar.

We began with Taiso, running lightly around the tatami area a few laps then turning while running, then rolling across the mat, then rolling and falling a few times to loosen up and get the circulation going and loosen up.

Certainly the techniques taught in this part of the program met those criteria and were elaborate and beautiful as well. Then it was my turn.

I pointed out the beauty and control of self and others that were found in the methods shown thusfar and that the main difference between them and Ninjitsu was the emphasis on just getting away as quickly as possible.

Sitting in a circle on the tatami Maestro Mario made a talk about the history of Ninjitsu. How it had come from China to Japan and been used by ordinary people to defend themselves in time of war against armed and armored soldiers.

This explained the simplicity of their techniques and their strategies of target denial, escape and evasion. He spoke of the warrior spirit and traditions that were developed in those times that are still needed today and how the principles of loyalty, respect, duty and honor are needed even more in our times.

Which is why he sponsors these events, why he brings martial artists together from all over the world to share what they know with those who seek it.

So that all may grow and learn and prosper, not merely survive. And come together as brothers, not arguing over which style is better.

Just enjoying the practice of them and learning new things. We practiced the techniques for a time, trying new things, experimenting with counter-holds and escapes, wrestling and rolling on the tatami like young tigers playing at war.

It was great fun and a good time was had by all. Maestro called the class to order for the commencement ceremonies. In silence, we bowed to each other in the manner of martial artists the world over.

A sign of respect and appreciation for this experience and knowledge. I was appointed the official American Representative of the Accademia delle Arti da Combattimento , and thanked those assembled for the honor and privilege of meeting and training with them.

There followed a short period of photo shoots, autographs of the posters and memorabilia, exchange of phone numbers and addresses, thanks all around.

We had a chance to discuss the ramifications of internal energy for health and longevity as well as martial art. A philosophy, a discipline, something that explains who they are and what their purpose is that they no longer find in the established religions.

All of our arts teach such self-empowerment. That is why they have survived and done well for centuries without a staggering bureaucracy of regimentation, merely a loose confederation of human beings that have found their own internal strength..

We had a break and washed up. Maestro Mario and his team prepared a late afternoon meal in his kitchen, slicing the salami and ham and cheese; passing out the funachio Genovese a particular type of bread characteristic of the Genovese region and beverages to the assembled crew.

Then the anti-pasto, then the skewers of calimari, scallops and shrimp; then the hamburgers for my benefit, no doubt, Ha!



Italien 2006 Video

WM 2006 - Highlights von Deutschland - Das Sommermärchen (HD){/ITEM}


2006 italien -

Noch nie besiegte eine deutsche Auswahl bei einem Turnier die "Squadra Azzurra". Was war das für ein Sommer? Odonkor 4 für B. Er gab später zu, einen entscheidenden Fehler gemacht zu haben. Vincenzo Iaquinta , Luca Toni Sonst gib es ein Chaos. Das Publikum peitschte die deutsche Nationalelf in der zweiten Hälfte der Verlängerung nochmal nach vorne, doch die Kräfte schwanden den "Klinsmännern" - wie auch den Italienern - allmählich.{/ITEM}


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